Fifths Progressions Theory Things   William Wieland
The Big Kahoona     V (7)
 
Right Arrow I     ( V (7)
 
Right Arrow i )
Jazz     ii 7
 
Right Arrow V 7
 
Right Arrow I 7
 
    ( ii ø 7
 
Right Arrow V 7
 
Right Arrow i 7
 
)
Predominant Dominant Tonic Progressions
"Bohemian Rhapsody"     vi Right Arrow ii Right Arrow V Right Arrow I     Smooth Voice Leading
"Heart and Soul"     vi Dash IV Dash V Right Arrow I     Smooth Voice Leading
Vivaldi     I Right Arrow IV Right Arrow vii ° 6
 
Right Arrow iii Right Arrow vi Right Arrow ii Right Arrow V Right Arrow I
The leading tone triad usually substitutes for or leads to the dominant.
        e.g.   ii Right Arrow V Right Arrow I   becomes   ii Dash vii ° 6
 
Dash I   or   ii Dash vii ° 6
 
Dash V Right Arrow I
The subdominant triad usually substitutes for or leads to the supertonic.
        e.g.   IV Dash V Right Arrow I   or   IV Dash ii Right Arrow V Right Arrow I